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Farzad Ghadimi and Saeed Dehghan drop ‘Rasmi’, no skip
I first encountered Farzad Ghadimi nearly three years ago, when his debut single Shelik burst forth like a sudden spark in the dark. That track wasn’t merely a promising start—it was a declaration. From the opening bars, it was clear that a distinctive new voice had emerged in Persian rap, one that refused to be…
“In Iran They Call Me English and in England They Ask Me Where I’m From”: Navigating Identity and Belonging in Bea Dero’s Bound by Two Homes
What does it mean to belong to two places, yet fully to neither? For many growing up in the diaspora, this sense of in-betweenness—a constant balancing act between identities, languages and cultures—is part of everyday life. “In Iran they call me English and in England they ask me where I’m from,” says British-Iranian artist Bea…
How rage is reshaping Persian rap
What has long set Persian rap apart from other popular music scenes in Iran is not merely its sound or lyrical boldness, but a deeper, more ambitious undercurrent—a shared desire among its artists, producers, fans, and even digital platforms to be part of something far larger than themselves. This is a community with one eye…

A Girl Walks Home Alone at Night’ Blending Aesthetic and Horror

If you’re looking for a spine tingling film to watch this Halloween, “A Girl Walks Home Alone at Night” is an excellent choice. Directed by Ana Lily Amirpour, this Iranian vampire presents a unique twist on traditional horror tropes. The film follows a mysterious girl, often referred to as “The Girl,” who roams the desolate streets of a fictional Iranian town at night. With her dark, haunting presence and an old school vampire aesthetic, she captivates viewers while exploring themes of loneliness, and empowerment. The cinematography is stunning, with stark contrasts between light and shadow that accentuate the film’s eerie atmosphere. The film’s black and white palette enhances its dreamlike quality, making it a visual treat that draws you into its world.

As the story unfolds, we witness The Girl’s encounters with various characters, each representing different facets of society and the struggles within it. The film cleverly juxtaposes the vulnerability of its protagonist with her hidden ferocity, making her a compelling figure who challenges the norms of her environment. The soundtrack, filled with haunting melodies and contemporary sounds, adds another layer of emotional depth to the film, immersing viewers in its unique blend of horror and beauty. We can also hear some of “Radio Tehran” an Iranian rock band songs.

This Halloween, “A Girl Walks Home Alone at Night” invites you to experience a different kind of fright, a thought provoking tale that lingers long after the credits roll, urging you to reflect on the complexities of human nature and the darkness that sometimes surrounds it. So gather your friends, dim the lights, and prepare for a cinematic journey that’s as much about the heart as it is about the terror lurking in the night.

Categories: Film
Hooria Ahmadi: