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Red, Light, and Hafez: The Spirit of Yalda Night
Waiting excitedly behind the door of my grandmother’s house, each family member wears a piece of red clothing. The door opens to the warm, loud gathering. We’re greeted with kisses and hugs, our faces still ice-cold from the winter chill outside. Inside, relatives with red-stained hands peel mountains of pomegranates, snacks are piled high on…
Berklee and Beyond: Independent Journeys in Music
Art is an echo of origins. It thrives on experiences, beliefs, and the spaces where we first find our voice. In The Roots Issue of The Persian Magazine, we’ve journeyed into the creative minds of three extraordinary musicians connected not only by their shared experience at Berklee College of Music but also by their distinct…
From Abandoned Brewery to Contemporary Art Hub at Argo Factory
As the preservation of architectural heritage and a ‘reuse’ mindset has gained popularity in arts infrastructure globally, repurposing abandoned spaces into museums and galleries is increasingly commonplace. One such example is Argo Factory in Tehran’s downtown, a rundown brewery that had sat abandoned for over forty years. During that time, parts of the building and…

Baluchi Embroidery Takes Center Stage at Cannes

In the 77th edition of the Cannes Film Festival, all eyes were on the Iranian actress Golshifteh Farahani as she graced the red carpet for Mohammad Rasoulof’s latest cinematic masterpiece, “The Seed of the Sacred Fig.” Farahani, aged 40, exuded elegance and sophistication as she made her presence felt among the glitz and glamour of the prestigious event.

One of the highlights of Farahani’s appearance was her stunning attire, meticulously crafted by renowned designer Araz Fazaeli. Fazaeli revealed that the dress featured Baluchi embroidery in a three-dimensional form, marking a rare and exquisite display of this traditional art form. This innovative approach to incorporating cultural elements into contemporary fashion garnered attention and appreciation from fashion enthusiasts and cultural connoisseurs alike.

Reflecting on the significance of the dress, Fazaeli remarked, “This is the second time in the past 50 years that Baluchi embroidery has been showcased in such a unique manner. The first instance was seen in the attire worn by Farah Pahlavi, now preserved in the archive of the Niavaran Palace.” Farahani’s choice to don this distinctive ensemble not only paid homage to her cultural heritage but also served as a testament to the enduring beauty and relevance of traditional craftsmanship in the world of fashion.

Categories: Fashion
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