X
AGA BIBI—Today this, tomorrow that
AGA BIBI is a fashion brand driven by the vision of Mehrnoush Shahhosseini—an architect, designer, storyteller and the creative team lead behind AGA BIBI. Born in 1973 in Tehran, she grew up as the youngest of a five-member family, with two older brothers. Her father was a university professor of literature and her mother was…
Through the curious world of her viral videos, Ella Lotfi seeks to break barriers and redefine movement.
Ella Lotfi’s instagram lately begs a lot of questions. In one video, she’s at the gym using a chest press with her legs, and in another, she climbs a staircase in a manner that can only be described as being akin to an upside-down spider, while 2 other guys fall down the same staircase like…
Lost but Not Forgotten: Reviving Iran’s Flavors
I had the opportunity to speak with Shahrzad Shokouhivand, a graduate of Le Cordon Bleu pastry school, founder of L'Atelier de Shahrzad and Femme Chic Patisserie, the first Iranian to receive the esteemed L’Ordre du Mérite Agricole. As a visionary pastry chef and entrepreneur, she has been instrumental in reviving Iran’s forgotten flavors and bringing…

Nafiseh Motlaq Defines The True Human Identity Through Her Exquisite Self-portraits.

“Identity” is one of the most crucial principles in every individual’s life. For years, Iran’s government, through enforcing hijab and compelling society to live a life filled with pretense and deceit, has dealt the greatest possible blow to the personality and identity of each member of the community.

The recent project by Nafiseh Motlaq, an Iranian photographer and a lecturer at Nisantasi University in Turkey, narrates the authentic identity of Iranian women in the face of the imposed standards of the Iran’s government. The main idea of this project emerged from her years of life outside Iran.

When Nafiseh traveled with her Iranian passport, the image intended to represent her identity to the world exhibited no alignment with her personality, thoughts, and choice of attire. Reflecting on this, she expresses,

“Carrying this fabricated identity, which never releases its grip even when far from homeland, has always been accompanied by a sense of shame and frustration for me. In my view, a person should embrace oneself and strive to live their inner and outer reality in the most sincere and harmonious manner possible.”

One of the main challenges of this project was the potential for misunderstanding in conveying the message to the audience. This is because the project is not about the artist’s personal belief in the veil. Instead, it emphasizes the importance of each individual’s “true identity” in the most authentic way possible.

In relation to the presentation of the artwork, he adds, “In this project, I endeavored to engage the audience with the theme using Augmented Reality technology. I invite them to see behind this ID-like image and judge for themselves the extent to which mandatory veiling has created a distance between my true identity and the constructed version of myself.”

This project has been showcased in the Netherlands and Turkey so far, and it is hoped that it will be possible to exhibit it in various exhibitions around the world.

Categories: Art
TPM Staff: