X
Beyond Genre: Embracing Diversity in Music as ‘The Lofi Guy’
Pooria, also known as Pozx (Pooria On Zodiac’s Expansion), is a 25-year-old Iranian singer, songwriter, and musician based in Tehran. Most Iranian music enthusiasts recognize him for his involvement in the lo-fi genre, and his choice of the username 'The Lo-Fi Guy' on Instagram has reinforced this perception. His distinctive lyrical style, which deviates from…
In Conversation with Niousha Noor: Can the Quintessentially Iranian Cycle of Intergenerational Trauma Be Broken?
At the heart of The Persian Version, an American comedy-drama directed by Maryam Keshavarz, lies a message about cultural identity and family relationships. The Sundance award-winning film is loosely based on the director’s life, who grew up in the United States, and was recently released in Europe—perhaps intentionally or by pure coincidence—at the beginning of…
Ali Mahini’s Lens on Society’s Hidden Realities
“Irooni Boodan (being Iranian)” is a timeless and spaceless mindset and a place that displays the set of behaviors of Iranian people. These behaviors, which have no meaning for a first world, make our identity. Ali Mahini, the young photographer of generation Z, uses the curiosity and arrogance of his generation, to dig into the…

Potential Effects of “Belaad” Label On The Future of Persian Rap

Cheshm Dar Barabare Cheshm” (Eye for an Eye) by Hiphopologist, composed by Ashkan Kagan, served as a diss track to GodPoori after the release of the album “Fil,” the inaugural release from the “Belaad” record label. The distinct approach employed by Hiphopologist in this track, compared to his previous diss tracks, was evidently influenced by the overarching ideology of “Belaad.”

The second release from “Belaad,” titled “Shemroon Hills,” resulted from a collaboration between Vinak and Ashkan Kagan. It was unveiled alongside a joint Instagram post featuring a short video with Hiphopologist, Vinak, and Kagan, all clad in red. This marked the official commencement of the record label’s activities and a new chapter in their collective journey in Persian rap.

Both works, as the first photo frame of a family, presented a powerful and aggressive stance against potential rivals, emphasizing their dominance in the Persian rap scene.

The unresolved feud between Hiphopologist and GodPoori, spanning almost a year, remain the most significant conflict between two artists in Persian rap. Furthermore, the challenges posed by numerous other rappers towards Hiphopologist, given his unparalleled position in Persian rap, render it perilous for him to continue solo.

Hence, the inclusion of Vinak, a formidable rapper with a substantial following, provides crucial support, making the arduous journey more manageable. This is a role that Sinazza could not fulfill for his brother, Hiphopologist, on his own.

In all his previous conflicts with various rappers, Hiphopologist, in addition to his unique abilities and power, relied on Ashkan Kagan’s musical creativity and social media playfulness. However, with Vinak’s current presence, Hiphopologist becomes even more formidable.

The formation of “Belaad” suggests that any threat or declaration of war against Hiphopologist will likely be met with a formidable response from Vinak. This marks the establishment of one of the most powerful crews in Persian rap, uniting key figures from the provinces of Mazandaran and Tehran. Consequently, audiences of rap music in Iran can anticipate more thrilling beefs than ever before.

Image Courtesy of Zuccivo

Categories: Music
Hossein Filizadeh:
Related Post