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Red, Light, and Hafez: The Spirit of Yalda Night
Waiting excitedly behind the door of my grandmother’s house, each family member wears a piece of red clothing. The door opens to the warm, loud gathering. We’re greeted with kisses and hugs, our faces still ice-cold from the winter chill outside. Inside, relatives with red-stained hands peel mountains of pomegranates, snacks are piled high on…
Berklee and Beyond: Independent Journeys in Music
Art is an echo of origins. It thrives on experiences, beliefs, and the spaces where we first find our voice. In The Roots Issue of The Persian Magazine, we’ve journeyed into the creative minds of three extraordinary musicians connected not only by their shared experience at Berklee College of Music but also by their distinct…
From Abandoned Brewery to Contemporary Art Hub at Argo Factory
As the preservation of architectural heritage and a ‘reuse’ mindset has gained popularity in arts infrastructure globally, repurposing abandoned spaces into museums and galleries is increasingly commonplace. One such example is Argo Factory in Tehran’s downtown, a rundown brewery that had sat abandoned for over forty years. During that time, parts of the building and…

The Stranger and the Fog: Bahrām Beyzaie’s Surreal Classic Reborn in 4K

Fifty years ago, Bahrām Beyzaie introduced the world to *The Stranger and the Fog* (*Gharibeh va Meh*), a hauntingly surreal film that has become a cornerstone of Iranian cinema. To mark this milestone, the film has been meticulously restored in 4K, allowing a new generation of viewers to experience its atmospheric visuals and complex narrative as they were meant to be seen. This restoration is not just a technical upgrade but a revival of a cinematic masterpiece that remains as relevant today as it was in 1974.

*The Stranger and the Fog* is set along the mist-shrouded northern coast of Iran, where a mysterious boat washes ashore in a secluded village. The villagers, led by the hopeful Rana (played by Parvaneh Massoumi), approach the vessel, believing it might carry her husband, who disappeared at sea a year earlier. Instead, they find a wounded stranger named Ayat (Khosrow Shojazadeh), who has no memory of how he ended up there. As Ayat becomes part of the village, earning the trust of the locals and eventually marrying Rana, the story delves into a labyrinth of memory and paranoia. Ayat begins to glimpse shadowy figures that seem to threaten his new life, hinting at a past he cannot remember but instinctively fears. These apparitions blur the lines between reality and the supernatural, leaving both Ayat and the audience to question what is real and what is imagined.

The 4K restoration of *The Stranger and the Fog* brings new life to Beyzaie’s visionary work, preserving its original textures while enhancing the dreamlike quality that has captivated audiences for decades. The restoration ensures that every detail, from the interplay of light and shadow to the eerie fog that envelops the village, is captured with stunning clarity. The film’s atmosphere, defined by its haunting visuals and unsettling narrative, is more immersive than ever. 

This restoration highlights the significance of *The Stranger and the Fog* in global cinema, reintroducing Beyzaie’s genius to a world that continues to grapple with the timeless themes of identity, memory, and the unseen forces that shape our lives.

Categories: Film
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