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Red, Light, and Hafez: The Spirit of Yalda Night
Waiting excitedly behind the door of my grandmother’s house, each family member wears a piece of red clothing. The door opens to the warm, loud gathering. We’re greeted with kisses and hugs, our faces still ice-cold from the winter chill outside. Inside, relatives with red-stained hands peel mountains of pomegranates, snacks are piled high on…
Berklee and Beyond: Independent Journeys in Music
Art is an echo of origins. It thrives on experiences, beliefs, and the spaces where we first find our voice. In The Roots Issue of The Persian Magazine, we’ve journeyed into the creative minds of three extraordinary musicians connected not only by their shared experience at Berklee College of Music but also by their distinct…
From Abandoned Brewery to Contemporary Art Hub at Argo Factory
As the preservation of architectural heritage and a ‘reuse’ mindset has gained popularity in arts infrastructure globally, repurposing abandoned spaces into museums and galleries is increasingly commonplace. One such example is Argo Factory in Tehran’s downtown, a rundown brewery that had sat abandoned for over forty years. During that time, parts of the building and…

Bandar-Abbas Based Photographer Mehrdad Mosaferi’s “We Won’t Make It To The Celebration” Photography Collection

The main event, the right situation that can finally bring us to a point of comfort, where is that? Outside the spatial and temporal dimensions, we have always been searching for something whose boundary we have not fully identified yet. All we can rely on is a strong instinct and being abandoned. Mehrdad Mosaferi takes a deeper look at this issue in the collection “We won’t make it to the celebration”.

No matter what our current situation is, there are always moments in which our imagination is caught up in something ideal, a situation, an undefined phenomenon that is good in every way and leads to our progression. But the real truth is that we are never going to reach the top. In every situation, in every place and time, there will be higher peaks to look at. It doesn’t matter which peak you have the honor of conquering, the honor of unconquered peaks is always greater.

In his frames, Mehrdad depicts the remnants of an event, the vague whispers of a party. He knows it as “separation from a main event”. Something important we seem to have missed, a party we didn’t reach and are unhappy about. Because over the years, we have carved a natural tendency towards idealism and perfectionism in our minds. For a traveler, these frames remind much more than a party. Because in the photos, apart from a main event, another life is going on, even though abandoned. A situation full of extinct fragments whose identity is dependent on an obscure event in the past, which have been able to depict a party behind closed doors.

Mehrdad always tries to choose the subjects of his photos from somewhere inside him, right between his life experiences and his way of living, and this is an act of revelation between the external and the personal world.

Categories: Art
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